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BROADWAY AND THE WEST END: THE COST GAP AS WIDE AS THE ATLANTIC
 • Gordon Cox
K-MUSICALS ARE COMING FOR BROADWAY
 • Gordon Cox
IS THE EDINBURGH FRINGE WORTH IT?
 • Gordon Cox
1
MR. SHIN GOES TO BROADWAY
 • Gordon Cox
DISNEY FLIPS THE SCRIPT
 • Gordon Cox
LICENSING IS SEXY
 • Gordon Cox
ABROAD/WAY BULLETPOINTS FOR DEC. 24, 2024
Panto's popularity, Malinche in Mexico City, Wildhorn's new work, and more
 • 
Gordon Cox
DID LES MISÉRABLES JUST WIN OVER THE FRENCH?
How Théâtre du Châtelet's new production in Paris has rehabilitated the megahit musical's hometown reputation, and where the show goes next
 • 
Gordon Cox
ABROAD/WAY BULLETPOINTS FOR DEC. 10, 2024
Cinema screenings and gender-free casting in Seoul, attacks on artistic freedom in the EU, A.R. Rahman's update on Broadway in Chennai, and more
 • 
Gordon Cox
I WENT TO MADRID'S BIGGEST MUSICAL OPENING OF THE SEASON
And the prolific producer of Los Pilares de la Tierra told me all about his big plans to make musicals a Spanish export
 • 
Gordon Cox
ABROAD/WAY BULLETPOINTS FOR NOV. 26, 2024
Fresh numbers on the Broadway-West End cost gap, new stats on China's booming musical market, Wicked in Madrid, and more
 • 
Gordon Cox
1
BRUSH UP YOUR TAGALOG
Mula Sa Buwan and the many new musicals of Manila
 • 
Gordon Cox
ABROAD/WAY BULLETPOINTS FOR NOV. 12, 2024
The Toronto market's upbeat outlook, the U.K. arts budget snub, Madrid's new discount program for young theatergoers, and more
 • 
Gordon Cox
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Jaques
Jaques
All the world's a stage. Jaques is your guide to the global theater industry.
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